Steven Bryant

It’s finally here! My piece The Machine Awakes for youth band / orchestra with live electronics now has an iOS app you can run the electronics from! All you need is to plug it into your PA system (don’t forget the required [LOUD] monitor for the conductor), and someone to press… continued

The annual Midwest Clinic in Chicago is almost here, and I’m very fortunate to have three performances of my work this year, as well as giving my Midwest debut as a clinician with two clinics! If you’ll be there, I hope you’re able to come to one or all of these, and please say… continued

The guest residency season erupts this coming week, when I travel to the University of Missouri to work with their Wind Symphony and coach their well-known New Music Ensemble. Concert is Monday night, 9/30, and it’s free!! The Wind Symphony is performing my Anthem and Ecstatic Fanfare, so if you have… continued

We’re moving (new house, still in Durham!), and while cleaning out my studio, I found the original scores for the Bowling Green premiere, the three UT Austin performances (including at the Meyerson and at CBDNA), and the one we used for the WASBE 2009 performance by the University of North Texas. I also found a… continued

Last week, Kevin Geraldi and the UNCG Symphonic Band were kind enough to devote some time on a rehearsal to reading and recording The Machine Awakes for me, so now you have something other than the MIDI realization to listen to! Composers: I’m leaving the original MIDI version posted in hopes this will make for… continued

In anticipation of the world premiere of Solace, my new work for wind ensemble + electronics, coming up on Tuesday, October 9th, I’ve decided to post the MIDI realization, complete with those lovely buzz-saw MIDI saxophones. The piece is quiet for large stretches, so you should use good headphones (cranked up loud!), or a… continued

My newest work for large ensemble and electronics, Solace, is now in rehearsals at the University of North Carolina Greensboro. Yesterday was the first rehearsal with electronics, and the first time I’ve gotten to hear the piece – always an overwhelming experience. The band sounded great, especially since it’s still early in the process,… continued

SHORT VERSION: Music education is important Writing “easy” music is hard Add electronics: The Machine Awakes, for young band + electronics, premieres this Thursday night, May 10th, at Cedar Ridge High School in Hillsboro, NC! Score and Recording (MIDI) MUCH LONGER VERSION: A vital component of my mission as a composer is music… continued

Another full semester of guest composer residencies, world premieres, and even a little conducting in Orchestra Hall in Chicago. The festivities begin… NOW! JANUARY 28-29 [Baltimore, MD]: Peabody Conservatory – David Vickerman’s Digital Embrace, featuring Christopher Stark’s Augenblick, Jason Gerraughty’s TWEAK, and my Ecstatic Waters – a full concert of works for winds, percussion,… continued

THREE WORLD PREMIERES in Spring 2012: I’m fortunate to have yet another very busy season to kick off 2012, including the world premieres of three new works: FEBRUARY 19th (Ball State Univ.), MARCH 1st (ABA Convention), MARCH 16th (Orchestra Hall, Chicago): Paean: Chant and Triumph, a new work for the Ball State University… continued

I’ve posted complete recordings of (almost) all of my music on SoundCloud. Leave a comment at your favorite moment in a piece (or not-so-favorite moment…). BTW, these are my favorite recordings of each of my works (in some cases, I’ve posted multiple versions), so please start here if you want to hear any of… continued

I just posted a “video score” version of a great recording of Dusk by the Police Band of Munich, Germany, on YouTube. This is one of the best commercially recorded versions of the piece out there, so far. Buy this recording on iTunes Download a PDF of the score