Music | Photos
I’m in Columbus, OH for The Ohio State University Wind Symphony’s performance of my Concerto for Wind Ensemble. Heard rehearsal tonight, and they sound GREAT. They’ve obviously been putting in the practice time, and they own the piece. They’re also playing a newly-transcribed work, Vigil, by Michael Gilbertson, who’s here as well, and… continued
If you’re waaaay up near the Canadian border in New York state, you have the opportunity to hear the second-ever performance of my brand new Concerto for Wind Ensemble. Brian Doyle and the Crane School of Music Wind Ensemble will perform the work tonight (Nov. 22nd) at 7:30pm, in Hosmer Concert Hall…. continued
Fellow composer and friend Michael Markowski spent the week with me in Austin, generously volunteering to follow me around TMZ-style with a video camera for the world premiere and recording of my Concerto for Wind Ensemble. This means I now have a LOT of footage that I’ve managed not to edit together…… continued
The Concerto for Wind Ensemble world premiere performance is posted (look in the dark green box for the “UT World Premiere” link)! Given the surround/antiphonal nature of the work, this isn’t quite the same as sitting in the middle of it all, but it still sounds great. The University of Texas Wind Ensemble players… continued
I’m in Austin this week for the University of Texas Austin Wind Ensemble’s world premiere of my Concerto for Wind Ensemble. Had a great 2.5 hour rehearsal this afternoon – Jerry Junkin and the band have worked their butts off on this piece – all 54,210 notes of it. The concert is this coming Wednesday… continued
A recent exchange with fellow composer John Mackey on Facebook about saxophone samples (he uses the Vienna Symphonic Library series, and I’m currently using the built-in General MIDI samples, which possess the subtlety of a chainsaw) reminded me that I’ve long wanted to do a post comparing MIDI and live versions of a… continued
A review of Ecstatic Waters: “The score could benefit from judicious editing.” My “wry impishness” compels me to point out to the reviewer that crystal water glasses are not “electronic,” Mvt. III has nothing to do with serialism, and the clarinet solo is not a blues.
I just posted Episode 5 in my ongoing video series. This one deals with Movement III (which I’m currently in the middle of), and shows examples from my sequencing software, Digital Performer. It also showcases my entirely fantastic General MIDI saxophone sound library. Also, that harp ostinato is on an “F,” not an… continued