MEASURE START |
END |
INSTRUMENT |
DESCRIPTION |
1 |
|
|
Change Vivace to Euphoric |
2 |
15 |
Bsns, Hns, Tbns, Euph, Tuba |
“unrelenting forward motion and pressure” |
16 |
|
All playing |
change f to ff |
17 |
|
All playing |
f |
17 |
|
Piano |
raise 16th-note run 1 octave |
17 |
|
Piano, Glock |
p on beat 3 |
17 |
|
Tuba |
missing f |
24 |
|
All playing |
extend hairpin cresc. Through entire bar, to ff in m. 25 |
24 |
|
Tbn 3 |
courtesy “VI” position indication – it’s easier to
play the octave drop starting in VI |
24 |
|
Oboes, Clars |
add mf at beginning of measure |
25 |
|
Alto, T Saxes, Tpts |
add tenuto accent on downbeat |
27 |
|
WW |
change rhythm on beats 3 and 4 to match m. 76 |
32 |
|
All playing 4 dotted 8ths |
change to ^ staccato articulation |
32 |
|
Cowbell, HH, Tamb |
rewrite dotted 8th rhythm to match WW, add accents |
32 |
|
All playing |
change ff to fff |
34 |
39 |
Saxes |
“soft, but still in foreground – cut through
texture” |
44, 46, 48 |
|
WW |
“off on 2” |
50 |
|
ALL except BD |
change f to ff, change BD to mf |
50 |
|
Piano |
remove extraneous dynamic from LH |
51 |
|
Glock |
ff |
52 |
|
Bari Sax |
add missing B half note (so it matches rest of band) |
56 |
|
Bari Sax |
add missing half note on beat 3 – colla Euph |
60 |
|
Bari Sax |
add missing quarters notes on beats 3-4, colla Euph |
65 |
|
All playing |
change f to ff |
66 |
|
All playing |
f |
66 |
67 |
Piano |
add missing 16th note ascending run on beats 3-4, p |
66 |
|
Tuba |
missing f |
73 |
|
All playing |
extend hairpin cresc. Through entire bar, to ff in m. 25 |
73 |
|
Sndblks, Cowbell, BD |
remove 16ths on beat 4 |
73 |
|
Vibes |
add missing cresc. Hairpin to f |
74 |
|
Alto, T Saxes, Tpts |
add tenuto accent on downbeat |
74 |
|
Sndblks, Cowbell, BD |
“COWBELL” (missing instrument name here) |
87 |
|
All playing 4 dotted 8ths |
change to ^ staccato articulation |
87 |
|
ALL |
change ff to fff |